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This program is the broadcast of a 1989 Radiovisions production. It features Charlie Louvin of the legendary Louvin Brothers of Sand Mountain. The program includes a narrative history of the Louvins as well as various recordings made by them. Russell Gulley and the Big Wills Arts Council of Ft. Payne Alabama produced the Radiovisions series that were released originally on cassette tapeThis program is a rebroadcast with Diana Green interviewing writer Peggy Denniston and photographer, Shelia Hagler, and two middle school students. Sheila Hagler is the Alabama State Council on the Arts 2007 Fellowship recipient for photography. An incredible photographer in her own right, Sheila partners with Peggy to encourage new photographers in Bayou La Batre, a shrimping community once ravaged by Hurricane Katrina. A selection of student work created after the storm traveled to Chicago as part of a project called Eyes of the Storm – a Katrina Hurricane Relief Effort, and subsequently entered the Photography Hall of Fame in Oklahoma.Joey Brackner, Director of the Alabama Center for Traditional Culture, interviews Alabama native, and renowned artist, William Christenberry at his home in Washington D.C. This is the second of two interviews with Christenberry discussing his life’s work as an artist that includes his acclaimed photographic documentation of rural Alabama, his unique dream house sculptures, the Klan Tableau, and ongoing mixed-media work.Joey Brackner, Director of the Alabama Center for Traditional Culture, interviews Alabama native, and renowned artist, William Christenberry at his home in Washington D.C. This is the first of two interviews with Christenberry discussing his life’s work as an artist that includes drawing and painting as well as his unique dream house sculptures and acclaimed photographic documentation of rural Alabama.In this program, Anne Kimzey, Folklorist with the Alabama State Council on the Arts, continues a conversation with professor Steve Miller, coordinator of the Book Arts Program at the University of Alabama. This is the second of a two-part series where Miller describes hand papermaking and discusses two recent book projects featured in the Southern Arts Federation exhibit conceived through American Masterpieces, an initiative of the National Endowment for the Arts.
