Wednesday, December 23, 2015

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through a woman's eye marian furman

In this program Anne Kimzey talks to author and photographer Marian Furman of Camden, Alabama about her new book, Through a Woman's Eye: The Early 20th Century Photography of Alabama's Edith Morgan.

This special radio series will air every Tuesday at 9:00 to 9:30 P.M., on the Troy University Public Radio Network at:  
  • WTSU 89.9 (Montgomery and Troy)
  • WRWA 88.7 (Dothan)
  • WTJB 91.7 (Columbus and Phenix   City) 
This radio series may not be broadcast in your area, but it can be accessed via the Internet at: http://www.arts.alabama.gov/actc/radioserieslist.aspx

If you have been listening to, and enjoying this radio series, please send your comments to: barbara.reed@arts.alabama.gov

Listen first hand using the link below.


MP3 Download/Stream

Through a Woman's Eye presents an evocative collection of a hundred black and white photographs made by Edith Morgan of Camden, a small town in Wilcox County, Alabama, just after the turn of the twentieth century. Morgan was educated locally before attending the School of the Chicago Art Institute. Subsequently she returned to Camden where she spent the remainder of her life teaching art. She also taught illiterate blacks and whites to read.

Thirty years ago, Marian Furman, also of Camden and herself a professional photographer, discovered an album made by Morgan of photographs of her friends, students, and local African Americans. The latter, although somewhat stereotypical of photographs of blacks at the time, are sympathetic; they reveal the humanity of Morgan's subjects.

This volume collects Morgan's photographs, along with essays that put them in the context of time and place. Professor Hardy Jackson's essay presents a personal memory. Furman describes socioeconomic and political conditions in Wilcox County and offers biographical information on the Morgan family. Dr. Matthew Mason of Yale's Beinecke Rare Book and Manuscript Library presents additional biographical information and offers a critical assessment of Morgan's photographs, comparing her work to that of contemporary photographers, especially her female peers.

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